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Painterly pack 1-3 2-4 betting system

The most obvious place to fail would have been to overlap the stack in the distance against the far outcrop of rock but Miguel has handled that perfectly, everything has been given space to breathe. Layers help to lead the eye up through the image and the soft light illuminating the first stack helps to emphasise it as a key point of interest within the composition.

His work is regularly featured on the cover of National Geographic Traveller, Lonely Planet and many more. When not on assignment Jordan can be found running photography workshops in the UK and abroad or at home with his kids. For more information please visit: jordanbanksphoto. Instagram: jordanbanksphoto. The light, texture and colours work perfectly with the strong composition, as does the boardwalk to lead you through the image and into the powerful orange tones of the sunset.

The use of ND Grads to control the exposure and retain the detail has been done perfectly. I personally recommend using as few filters as possible, so would recommend using a 1. Jordan Banks. The sharp detail in the rocks contrast brilliantly with the smooth sea and sky whilst also acting as great lead in line to guide the viewer into the scene.

Good use of the Big Stopper to obtain a shutter speed of 1 minute and give that soft and dreamy effect to the clouds and sea along with a Polariser to add some punch to the colours. My suggestion would have been to shoot a little earlier when the colours were a little less pronounced to achieve a more neutral tone to the image. Stefanos has done a great job with this image.

The composition is strong and works really well with the contrasting colours from the houses as they reflect in what I assume is a canal. I think having lights coming from within the houses gives a real sense of place whilst adding a touch of warmth to the image. Great use of the Little Stopper to slow down the shutter to 20s and get a nice reflection.

I personally would have used a Big Stopper to add a little more movement to the clouds. The slower shutter speed would hopefully have given the water an even dreamier effect which in turn would have softened the motion lines on the water which detract slightly from the simplicity of the shot.

Despite Arturs image breaking all the traditional rules of composition and framing I really like how he has approached the scene and produced a great fine art image photograph. He has used the ProGlass 3. This image makes me want to be there. The soft light, pastel colours and idyllic scene has been beautifully captured by Nils to give a great sense of simplicity whilst creating a powerful image. The foreground adds a real sense of scale whilst the sweeping coastline draws your eye through the image towards the hills in the background in a very effective manner.

Good use of a Polariser to give a nice contrast to the soft tones and allow for a slightly slower shutter speed in order to achieve some movement in the grass, water and clouds. Nils use of 0. Richard has worked as a freelance photographer for over 15 years, specialising in location photography, hospitality and travel features.

Richard also leads photographic tours to unusual destinations such as Kyrgyzstan, Uzbekistan and Burma, where he conducts workshops on improving creativity through the use of filters. For more information please visit: richardjamestaylor. Instagram: richardjamestaylor. The composition is superb; the careful spacing to balance out the main elements and the empty spaces in the frame shows great attention to detail and allows the image to flow without interruption.

The panoramic format is also a great choice. The peak's reflection in the still waters gives the scene a strong sense of peace and quiet, which helps to communicate the isolation and remoteness of this location. The image is well balanced through the use of the soft grad and the stillness of the water, critical to the success of the image, is down to the use of a Big Stopper.

If I had one criticism it would be with the white balance. I feel that the warm tones are a touch too orange; perhaps this has been pushed too much in post, resulting in a slightly unnatural feel. Nevertheless, a cracking image… well done! Richard James Taylor. I was really drawn to the quietness of this scene. The stillness accentuates the idea of the mirrored image, which works particularly well here.

Wolfgang has used the simplicity of the elements to good effect and the framing is well balanced. The choice to present this scene in black and white is a good one, allowing the shapes and textures to speak for themselves, and the decision to use a 0. The crop along the top of the image is a little tight, some extra space would allow the trees to breathe a bit more, but otherwise good work! What a corker Keith, a great scene! The rocks in the foreground lead the eye beautifully into the frame towards the stacks and the coastline marks a diagonal line straight across it, making for a very dynamic composition.

The use of a Big Stopper has resulted in an additional sense of movement in the clouds and given the foreground rocks that classic milky look without losing detail in the highlights. The colour balance in this image is lovely, very natural, and the detail in the rocks in the foreground is spot on.

The tips of the stacks look as if they have been dodged in post to draw attention to them, which has unfortunately spilled over into the sky. Perhaps use a mask to ensure you only affect the elements of the image you want to change. Other than that, a wonderful image! I really like the simplicity of this scene. Azhar has found a location with very few natural elements to work with and through the use of filters has created a compelling image.

The composition is good, with the curved path created by the sea stones drawing the eye around and into the focal point of the shot, the Whyte Isle. What marks this image out though is the contrast created by the dynamic movement of the clouds with the stillness of the sea in the foreground.

Great use of the Big Stopper to control the scene and reverse the effects of nature! Good job Azhar! I was drawn to this image for its subtle sense of quiet and mystery. Framed by the darker trees on either side, the central tree makes for a fantastic subject. It is beautifully proportioned, and the graceful limbs look even more extraordinary reflected in the pond.

The layer of mist has softened the landscape and added to the mysticism of the scene. Justin has used a 0. He has also done well to avoid any unwanted lens flare! My only suggestion is that Justin could have employed a Reverse ND Grad on this shot, which would have allowed him to hold back the sunrise without darkening the sky at the top of frame, which I feel is a touch too heavy.

I can only imagine how Justin felt to be immersed in this location with the camera after making this shot! For more information please visit: veritymilliganphotography. Instagram: veritymilligan. Working in monochrome can simplify an image, but it can be rather tricky to balance the light in an appealing and competent manner. This image jumped out at me because it completes this balancing act well, and the use of long exposure adds to the overall effect. There is a sense of size captured within the composition, and the angle of the shot only adds to the imposing nature of the structure.

There is an ambiguity in the subject matter than allows the eye to linger, evoking an industrial narrative that is only enhanced by the movement of the clouds caused by the long exposure and the adept post-processing. An excellent example of the fine art, architectural genre. Verity Milligan. I know and love this part of the world, and this image evokes so much of that Hebridean spirit.

However, a sense of place does not always a good photo make, and this is a wonderful example of place, conditions and composition all working together in perfect harmony. Compositionally, the panoramic crop works well, especially with the rocks on the right-hand side. The tonality of the image is sublime, with the sky and the sea complementing each other. Long exposures can be such a versatile medium, and the milky softness that this evokes demonstrates technical as well as artistic understanding.

Overall, this is the kind of image that reminds me how wonderful the medium of photography can be. This image immediately jumped out at me as it had a different feel to many of the other submissions. This is also a wonderful example of how long exposures can be gentle and quiet in nature but still pack a punch.

This is really a masterclass in how layers in the landscape can give meaning and status to an image. Each layer links neatly with the next, tied together by the movement in the sea and the sky. Overall, a marvellous seascape. Traditional landscapes have a universal appeal, but a well-done urban landscape is right up my creative alley. What initially stood out about this image was the reflection and the colours.

Although the rule of thirds exists for good reason, rules were definitely meant to be broken, and the lure of calm waters is certainly reason enough to place the horizon in the middle of the composition. This is helped by the complimentary blues of the sky and the water contrasting with the industrial reds of the harbourside. The long exposure creates a sense of calmness that contrasts with the urgency of city living, the movements of the port.

There is also a pleasant combination of horizontal and diagonal lines dissecting the sky which adds drama and symmetry of the image. Most of my other selections have been more traditional long exposures, but this image is indicative of the way I tend to use filters for a lot of my landscape images. There is a certain power in the creative possibilities that can be afforded by the simple use of an ND Grad and Circular Polariser.

A pleasing image, with much atmosphere and heart. Michael Pilkington is a professional landscape photographer and co-founder of Aspect2i , the Landscape Workshop Photography Company, where he leads photography workshops in the UK and internationally. He is a great advocate of post processing, the digital darkroom and fine art printing, and he has extensive knowledge of Adobe Camera Raw, Adobe Photoshop and Lightroom. Michael has exhibited his work in the UK and Europe and he frequently writes articles for photography magazines and web sites.

He is currently writing several books: the first, co-authored with Paul Gallagher, is on infra-red photography and will be published in the coming months. For more information please visit: michaelpilkingtonphotography. This is a really well executed image.

I say that for two reasons. Firstly, the choice of graduated filter to manage the brightness of the sky against the dark foreground, and secondly the post processing. The essence of light has been retained. Too often, sunrise and sunset images are processed to be brighter than they should be. This image has retained the subtlety of light present when it was taken. Michael Pilkington.

A beautiful and simple image. Use of the Super Stopper has produced a very long exposure that has smoothed out every moving aspect of this image, helping to define its minimalist nature. Lastly, the cool toning brings all the elements together. An image to be proud of. Taken at sunrise the photographer has used the Reverse Neutral Density filter to control the brightest part of the image - the horizon and the ascending sun. A Polariser has also been used that has increased the saturation of colours, controlled the foreground reflections and also acted as an ND to increase the exposure time just enough to smooth out any ripples that may have been present.

Overall, a good combination and use of filters. This is a very simple and pleasing composition enhanced by the blues and oranges and complemented by the colours of the traditional fishing boat. The position of the boat and anchor rope occupy the very heart of the image and beautifully interact with the light. I also love the way the colours of the boat emulate that of the warm sun and blue sky above.

A beautiful image with lovely colours and technically excellent. This is a dark and moody image that is well composed and balanced with a good flow from the bottom right of the image across to the left and onwards to the distant mountains. I particularly like the compliment of cool icy blues and the warm skies. A couple of small comments: I would lighten the shadows in the very dark rocks to reveal some detail and calm the highlights in the snow in the foreground.

The title of this image is very fitting. It is indeed very calming. The use of a Big Stopper is instrumental in creating the mood of this image by smoothing out the water and softening cloud forms. A Polariser has also been used creating a darker foreground and more importantly revealing some textures beneath the surface of the water.

Lastly a Graduated Neutral Density filter has been used to manage the dynamic range of the image bringing down the bright sky. From a post processing perspective, shadow detail has been retained and there is plenty of texture in the rocks. Lastly take care that halos that may appear around the edges of the rocks are dealt with if introduced during resizing or sharpening.

This is beautiful black and white image that has been well executed and is pleasing to the eye. Carmen Norman is an award winning fine art landscape and portrait photographer and Nikon Professional who lives and works in the Lake District. Her work covers a wide range of landscapes, portraits, family lifestyle images and weddings. She enjoys walking the fells and capturing the fantastic scenery the Lake District National Park has to offer. Carmen has intimate knowledge of the Lake District and knows lots of secret and quiet locations, as well as the best times to visit the popular spots to capture the iconic images.

Her work has been published in various magazines, she has been shortlisted for Outdoor Photographer of the Year and has had work exhibited in national and international salons and around the Lake District. For more information please visit: carmennorman. The first thing that struck me about this image was the colour, such a beautiful tone which balances beautifully with the simple, but strong composition. The bridge leads the eye across the image, and it disappears into the strongest area of colour as the sun comes up.

Good use of an ND filter to smooth the whole image and a Reverse Grad to balance out the bright sunrise which is low on the horizon. The suspension cables take you on a journey up to the top of the bridge tower then down along the bridge and you glance down to the soft reflection. A very evocative and poignant image, the bridge leading us to a new dawn!

Carmen Norman. These ornamental cabbages make such a striking image. The colours, the shapes, the light and the composition are all very compelling. The portrait format suits the scene well and the sun burst is perfectly positioned in the mountains and leads the eye from the cabbages to the mountain line range. The use of a Hard Grad has left a bit of an obvious filter line across the horizon, but that can be overlooked because of the strong foreground.

The goal of minimalist photography is to convey a concept and provoke an emotional response or a unique visual experience. And this image of Clevedon Marine Pools is a lovely example of minimalism and a perfect use of the big stopper, which completely smooths out the water leaving us with an evocative and powerful image. It has been stripped down to the bare essentials focusing on only a limited number of objects and elements.

The perfectly simple composition and the use of negative space makes for a very pleasing picture. The shapes along the fencing on the main jetty lead the eye through the image allowing your eye to just make out a distant jetty in the fog. There is some lovely light and wonderful shapes in this image of a small cascade of water. The 30 seconds is perfectly timed to allow the viewer to see the route the water takes through the pool and the shapes created by the long exposure of the bubbles leads the water beautifully out of the frame finishing at the rock which catches the light.

The use of the Polariser means we can just see through the water enough to get a glimpse of the stones below the surface and it also gives a lovely warmth to the colour of the water and a glow to the mossy rocks. Diagonal lines are important factors to add to images.

They create tension and dynamics and lead the eyes in a particular direction. This image of the pier at Saltburn makes use of diagonals perfectly. You have the diagonals in the sand leading the eye one way, then the pier leading the eye across the image, yet the diagonal of the sky leads us in another direction.

Then your eye is drawn to the light in the middle of the image that is reflected in the pool, the eye finally landing on the foreground rocks with beautiful light catching the sand. Jon Gibbs is a professional landscape photographer and workshop leader from Norfolk, England.

After running a photographic gallery for ten years his main focus is now sharing his enthusiasm for the landscape and landscape photography through his workshops. Jon aims to produce landscape images with a very natural feel with the minimum amount of processing. For more information please visit: jon-gibbs.

You could easily crop into the image and create many more images from it. For me one of the reasons this image is so pleasing is the wonderful sense of movement within the frame. Without it I doubt the image would be so pleasing. Great image, colour, chaos and movement but it all works really well, superb job Gianni.

Jon Gibbs. A wonderfully evocative image from Piet. I can imagine being there. The sweep of the inlet is very pleasing, coming in from the left of the frame leading us into the area where the reflected light from the beautiful clouds is at its most luminant. Good use of the Big Stopper here. Some viewers may have a problem with the footprints? This is a really nice autumnal image from Steve. A perfect choice of shutter speed has made the small waterfall look very effective and the wispy areas of white water just below the falls are lovely, they add a nice sense of movement.

If they were not there, that area may have had too much dead space. This is a perfect place to use a Polariser and by doing so Steve has reduced all the reflections that would have possibly been a problem. Instead we have lovely punchy autumnal colour, and in the stream the hints of beautiful rusty colour beneath the surface of the clear water.

The use of a 10 stop ProGlass IRND has worked wonders on the sea, you get two separate areas of white water within that beautiful aquamarine colour which helps to accentuate that layered feel. This layered feel continues into the sky, the varying tones here work really well with this long exposure, I especially like the brighter area of the sky to the right, they act like framing devices, keeping the eye in the picture.

You also get little splashes of colour in the image that help to add areas of interest, namely the telescope on the pier, the yellow flag and the figure in the very bright coat, these are probably not so obvious at smaller size but viewed larger they would be a welcome element. My only criticism here would be that there is too much sand included in the image, I think a more panoramic crop starting just below the area of slightly darker sand would work really well.

A quiet and subtle image from David. By using a long exposure the image has become simplified, there is no doubt that the stunning tree is the subject, framed perfectly by the tree lined distant shoreline, nothing else is needed. Talking of the background I love the soft recession of the distant hills.

The calmness of the image is threatened by the rather moody sky, you can imagine what the conditions must have been like, probably quite challenging! My only criticism of this image is that my eye does get drawn to the building on the shoreline on the right, I do believe you could crop just to the left of it and the image would work well.

Alternatively the building could be cloned out. Neil Hulme is a photographer based in the North West of England. He prefers a simple minimal approach to his work, producing an air of calm and serenity that allows the viewer to feel a sense of solitude.

Using a monochrome approach allows him to focus on tones, textures and shapes in his interpretation of the land and seascape. For more information please visit: neilhulmephotography. What perfect conditions for minimal monochrome photography. The fog has helped to isolate the pier from any background distractions.

The use of the Big Stopper was a great choice from Andy; the 62 second exposure has flattened the water out, giving the image a Zen like quality. What I particularly like about this image is how Andy has managed some lovely separations in the bottom of the pier framework; this always leads to a successful pier image. The long exposure technique has also enhanced the subtle reflections of this beautiful structure. Is there any way I could improve this image?

This is high quality long exposure mono work, which I would be proud to have in my own gallery of images. Neil Hulme. What a beautifully composed image by Kenny, I really like how the two corners lead in from both bottom edges. I see you used the Little Stopper on this one with a 25 second exposure.

This has added some great drama in the sky with some wonderful cloud movement. The long exposure has also enabled you to keep some lovely textures in that gorgeous coloured sea. The combination of colours and textures has made this a very successful image in my eyes. Just a couple of little things that I would adjust. The horizon line appears to drop down to the left of the image, I think a slight adjustment in Lightroom or Photoshop would sort that out. And maybe I would have used a 0. All in all a very fine looking image with textures, colours and composition all working in perfect harmony.

Very striking image Paulo, it has a dream like feel to it. I really like the textures in the water and sky, they add so much to the image giving it a feel of mystery. I think under these conditions maybe a Little Stopper would have helped to keep the exposure time down a little as well as using a lower ISO. The lead in line from the left hand bottom corner works well, taking the eye through the image very nicely into the emptiness that lies beyond the jetty. Quality work.

The exposure is spot on with excellent use of the Big Stopper to give the waterfall a dream like affect. Colour wise, the autumnal colours of the rustic browns and the bright greens work really well. Editing wise, I really like the highlighted area of the green foliage above the waterfall; this is a masterstroke from Jonathon. How would I improve this image, I am not sure I could in all honesty. A fine representation of a woodland waterfall scene.

The beautiful Canadian Rockies in all its glory here. A fabulous scene beautifully captured by Reza. The cool blues work perfectly; giving the image a cold feel and the backdrop of those mountains are just stunning. I also really like the way the 15 second exposure has kept the definition of the gorgeous reflections in the water.

The soft lower clouds nestling in with the woodland adds another component to this breathtaking scene, as does the texture of the snow-covered Rocky Mountains. I would liked to have seen a little bit more definition in the shadow woodland areas, maybe lightening them using the brush tool in Lightroom could have helped with this. Peter Gordon is a photographer, an artist, a workshop leader and an organiser within the photography community.

He has won several awards for his work, including Irish Professional Photographer of the Year twice, as well as European Professional Photographer of the Year in Peter is director of ExploreLight Photography and the IrishLight Festival , creating an exciting range of photo tours across Europe from Norway to Montenegro, unique educational and participatory art projects, as well as a range of personal fine art exhibitions.

His work tends to convey absolute calm through the use of long exposure and gentle light, or conversely the high drama of quickly changing and mood orientated light. To reinterpret the landscape in an original way and capture an energy which can be transmitted to the viewer. For more information please visit: petergordonphotography.

Wow John, a real show stopper. The Super Stopper must have been involved. The rich colour palette is both striking and engaging, while the simplicity of the composition just allows the colours to make an even bigger impact. The combination works fantastically well. The processing tonally creates real depth to the image leading the eye smoothly through the transitions.

The long exposure brings an even more abstract feel to the image and I feel your use of the Super Stopper is spot on here. Great job! Not for the first time I might add. It could also look amazing in black and white but this works fantastically well as is. Peter Gordon. I always feel that this type of work must venture from reality into the surreal to be truly successful. Neil has done just that. The abstract nature of the composition for a start, with interlocking triangles and futuristic shapes, transports the viewer to another dimension.

Furthermore the image has been expertly toned, the eye locked firmly in position to those beautiful triangles. The final piece of the puzzle is of course the right choice of filter. The Super Stopper is spot on here with the second exposure moving the viewer further toward the surreal.

The sky is the perfect foil for the dramatic and abstract structure. Well done Neil. The only critique I can add here is that I would like to see a little bit more space at the front of the image to allow that first corner to breath. The diverging lines of the background building look great but I would have been interested to see this image without perspective distortion.

Keep the camera on a level plain then crop if necessary to keep all those lines straight. Did someone mention tilt shift? A wee bit on the expensive side but fabulous lenses for architectural photography. Sometimes simplicity speaks volumes. There is nothing like a gentle misty morning for communicating calm and beautiful minimalism in the landscape.

The black reflection of the rope extending right from the frame corners exhibits a developed and exact understanding of space and depth within your photography. The use of the Medium Grad is also spot on. The 0. Power and subtlety rolled into one amazing filter. Perfectly executed here. The only minor critique I would make is it could be nice to lighten the bow of the boats a touch.

Rysard has done a stunning job bringing Dun Brieste on Down Patrick to life. The colour combinations are a joy to see as the ocean azures combine perfectly with the white water of the swell. I think the filter choice is perfect here too.

The grad has held in all sky details and the water texture is spot on. I love my Big Stopper but its not always my first choice. The choice of a Little Stopper here means the exposure is not too long, consequently the swell leads you energetically through the frame and the raw power of the ocean is exposed. I might add that I always carry a 3 stop ND for this purpose even though we see much fewer of these on our workshops.

I absolutely love this image but the only critique I might add is in the processing. The vibrant colours are great but I would probably reduce saturation by a few percent. The stack has been lightened in processing which shows that the author is clearly thinking about structural depth in his processing.

This might have been lightened a touch too aggressively though. Try the new range mask feature in Lightroom and Camera Raw to get extra control of your selective adjustments. What a beautiful piece of art Gary. The structural shape is placed perfectly in the vista and the use of the Big Stopper and 0. With a more minimal image such as this the long exposure is key. The processing is also spot on, the muted colours within the core structure gently surrounded by grey, and the use of a vignette is subtle and effective in equal measure.

No nits here, just pure viewing pleasure. He started with film and traditional silver gelatin darkroom processes, but all images are now produced digitally. Blue skies and sunshine do not feature heavily among the portfolio. Mike is much more likely to be seen out and about when the weather is poor or just turning. Most of his images are taken at margins; the beginning of the day, the edge of water or the approach of a storm. Mike runs landscape workshops for all abilities and specialises in developing a vision and an eye for composition.

In the last year these have varied from a half day in the Lake District to a week on the Isle of Skye. For more information please visit: mikeprince. This image appealed for many reasons, not least that the conditions are far from what many might term perfect. I can feel the dampness, the spray and can almost hear the photographer wiping filters in between each exposure.

Working under such conditions requires skill and dedication. The composition works well, with the just visible fall in the background flowing eventually out of the frame in the bottom left. The use of a Polariser gives both the desired shutter speed and also allows for some of the rocks below the water to be more clearly visible. Images like this are all about atmosphere and this succeeds enormously well, it places the viewer right in amongst that waterfall. Mike Prince.

I can almost hear some judges saying that the foreground is too empty but for me the very emptiness of that foreground provides a delicate pillow upon which to place the delightful upper portion. This image is all about delicacy, subtlety and balance for me. The graduated ND brings out just the right amount of the midground and background hills to balance the white clouds.

The Big Stopper serves to soften the supporting parts so that they complement rather than distract from the hills. There is just enough of everything and not too much of anything here. Dawns can be vibrant and jump start a day or they can, like this one, creep in quietly and beautifully. This fine image goes well beyond the immediate and delves into the essential elements of the place; in this case the dunes and the distant mountains.

The combination of a Big Stopper to deliver a long shutter speed and the use of multiple exposures serve to capture not only the beauty but also a sense of the wind and elements. The sense of depth is enhanced by the warm foreground tones contrasting with the distant blues. I might be tempted to consider a crop on the image to take a small slice of the bottom of the frame away; to my eye the image would then balance more comfortably. Harris is a magical place and this image captures the essence of that magic.

These places are all about the rocks, the water and the weather and we find all aspects contributing here. The use of a Polariser and ND Grad both serve to give a desired shutter speed and attempt to balance the very bright sky against the foreground rocks. Opinions vary on the ideal shutter speed for coastal waters but for me this combines a pleasing amount of movement with enough detail and texture to define the sea water.

One must always remember however that the photographer represents how the scene looked and felt to them at that moment. A superb image that demonstrates excellent technique. All the necessary ingredients are present: a fine location, great composition and delightful light. The light landing on the tops of the basalt columns is sublime. The use of the Big Stopper allows the long shutter speed which creates the delightful contrast between the solidity of the basalt and the fluidity of all the other elements.

An ND Grad holds the exposure in the sky allowing the details of the rocks to take centre stage. The aperture of f14 and careful choice of the point of focus ensures that there is front to back sharpness and every detail of the columns is preserved impeccably. The more you look the better this image becomes as each layer of details emerges from the standing water on the columns to the appearance of weed down the right hand side.

Purely subjectively, I tried this as a crop so that the edge tailed off into the bottom right hand corner and felt the overall composition was improved. This is however subject hair splitting in the extreme, a really outstanding image. Chris Prescott is an adventure filmmaker and photographer living in the mountain town of Chamonix in the French Alps.

Through the production company Dark Sky Media Chris specialises in shooting climbing, skiing and mountain biking and enjoys shooting in remote and inaccessible locations where just getting the camera out of the bag can be a challenge. For more information: darksky-media. I really like this shot for a number of different reasons and not just because Val Badia is one of my favourite parts of the Dolomites.

Photographing mountains when the weather is poor and the light is flat can sometimes be challenging but the creative use of the Big Stopper and an over exposed image work really well in this case. In a lot of ways it reminds me of the work of mountain artist Tessa Lyons who uses paint, pencil and charcoal to achieve a similar effect. Chris Prescott.

I find this image really striking and when I first glanced at it I thought it was shot at night with the colour in the sky coming from the northern or in this case southern lights. I really like the monochrome nature of the lower half of the image which contrasts really well with the richer blues and yellows of the sky, the single green leaf really draws the eye too. The image might have benefited from an increase in exposure by a stop or two as it overall feels a little dark and an increase would have made the green leaf pop a little more, having said that the underexposure is understandable given the dark and brooding nature of the image.

It would also have been nice to see what the image would have looked like by taking a step to the left and reframing with the curve of the tree potentially drawing the eye towards the leaf a little better. Having grown up by the sea but now living in the mountains I was instantly drawn to this image.

I love the layers of waves leading out to the horizon and the colours created by the setting sun coming through the spray from the waves is sublime. Getting the exposure right can be challenging when shooting directly into the sun but the use of the 0. This image is really eye catching, not only because of the richness of the sunset colours but also the small details which take a while to notice and keep your eye drawn to the image.

I particularly like the way the neon cross is reflected in the water as well as the people sat on the rocks to the left. Using a Big Stopper to create an even longer exposure would have resulted in a little more movement in the clouds which would have made the upper and lower halves of the image more uniform and made the church even more striking and ethereal looking.

It would also have been nice to have the people standing up as they would have been a little more noticeable, although getting a group of people to stand still for 25 seconds can be challenging! Autumn is my favourite time of year and this image sums it up perfectly for me.

My eye was instantly drawn to the waterfall and trees in the upper third of the image before slowly being drawn down to the single leaf at the bottom. I love the way the Little Stopper has created a silky smooth texture to the water and the use of a Polariser gives an extra level of richness and warmth to the autumn colours. It would have been nice to bump up the exposure by a couple of stops in the upper third to give a little more richness to the colours of the trees, this could be easily achieved in post-production or through using an upside down ND Grad.

Mark Cornick is a Surrey-based photographer currently working on creating abstract images using the techniques of Intentional Camera Movement and Multiple Exposure. When not photographing, his time is split between looking after my 18 month old daughter, and working in the Broadcast Industry. Mark's portfolios and details of print options can be found on his website: markcornickphotography. Having visited Saunton Sands only last week whilst on holiday, this image appealed to me greatly.

Mark Cornick. The mist is what makes this photograph a success and doubling up on filters with the Little and Big Stopper for a second exposure has created a superb atmosphere in the image, with the mist floating through the frame. It has also created three distinct layers which I like a lot: the bridge in the foreground, the mist rolling through the centre of the frame, and then the city skyline in the background.

I also think that presenting the image in black and white was a great decision and really adds impact to the shot. Scrolling through the thumbnails, this was a 'must see larger' image! The colours and clouds are what drew me into this photograph - it really is like fire pouring out of the mountains and into the sky. The use of the ND Grad has meant that the details in the sky have been preserved and the Polariser has enhanced the colours beautifully.

A five-second exposure has flattened out the water and enabled some lovely colour and light to be reflected - a really nice touch. The only thing I would change is not about the image itself, but of the use of the watermark.

I do find them very distracting. I know that in this age of social media, image theft is a concern, but for me, it takes away from the final presentation, which is a beautiful landscape. There are a lot of elements in this image from David that I really like, and which help to make it a really successful seascape.

Firstly, shooting from a very low angle makes me feel like I am almost in the scene myself and about to get my feet wet! I have made a few mistakes myself shooting this close to water, so I hope none of your kit got a soaking! For me the Little Stopper is one of my most frequently used filters and is used in this image for a two-second exposure. I find the two to three-second range on moving waves creates a really pleasing result and looking through the comments you received on this image on Instagram , I agree - It looks like the water has been painted onto the scene.

I love the leading lines created by the sea defences, drawing my eye from right to left into the image, with the small stump on the left really completing the composition. The colour palette is also very pleasing, with subtle muted colours. I might perhaps have moved the camera slightly more to the left when framing, but that is nit-picking. A superb image from David. A beautiful and calming landscape image captured here by Victoria.

I am particularly drawn to the purple sunset colours and that crisp white frost and snow covering the ground and mountain tops. What I also enjoy about this image is the element of storytelling. What an incredible house located at the foot of the mountains - who are the people that live here, with this stunning landscape literally on their doorstep?

The use of the Little Stopper has given a four-second exposure here. Also, the use of the Soft ND Grad has controlled the light beautifully and balanced the scene. I would be very intrigued to see what the results of a longer exposure would have been using a Big or Super Stopper - it could have created some very ethereal effects with the clouds.

There is a great use of the rule of thirds, with the frozen bank providing a nice leading line. This is an image I have really enjoyed taking in over a cup of tea. Fantastic work Victoria! Helen Storer is a self-taught professional photographer specialising in the landscape of the Broads National Park and the North Norfolk coast.

She is the Lead Photographer for the Broads National Parks and believes that Norfolk should be on the wish list for all creative photographers; with its big skies, unique wildlife and diverse landscapes. Helen really enjoys sharing her tips and ideas with others to enable them to go out and experiment and create their own ideas and style.

As well as Norfolk Photography Tours , she also runs other photography workshops throughout the year, from beginners "Get off Auto" to advanced level Impressionism and Abstract Photography. Helen enjoys achieving a soft, painterly effect in-camera, and her aim is to portray the essence of a time and place. She loves experimenting with in-camera techniques such as varying shutter speeds and selective focusing in order to capture feelings and emotion.

Since , Helen has been published in several international magazines and has gone on to earn further awards for her images. For more information please visit: norfolkphotographytours. Streetley Pier in Hartlepool is a great UK location for seascape photography, and yet for many photographers it remains unheard of. With its derelict buildings, and relics of the steel industry, there are many unique images just waiting.

Martyn has captured this huge wooden pier at sunset really well. I also love the colours in this image and using the Soft Grad has given definition to the sky. The submerged posts for me are too tight to the right hand side of the frame. I do love the receding tidal lines and the moody sky, with the dark clouds holding the viewers eye to the details.

I would be happy to have got this one in the bag Martyn. Well Done. Helen Storer. This waterfall can be found in Ontario in Canada and, at a cracking feet drop, it has to be on the list of many travel photographers.

I have seen this image many times on social media, but never this view from the river. Jose has captured some great highlights on the green, lush foliage. The Little Stopper gave Jose a 4 second exposure and, together with good use of a Polariser, the natural colours have been enhanced beautifully. In my opinion, the image would be stronger with a squarer crop, thus losing some of the brightness and boldness of the foreground water.

At the moment this pulls the eye away from the waterfall which I am assuming to be the main subject matter. A very exciting and unique image, and a what great experience visiting this location! Thank you for sharing. Ah, my home turf! Norfolk and Caister-on-Sea. Costas has made great use of the Big Stopper with a 67 sec exposure, any longer and the North Sea would have been featureless.

This image is all about shape and the "S" works really well for me, simplifying the elements. I have photographed this myself and it's always difficult to get that balance in the background. Great work. I have never done cityscape photography myself, preferring the country life. I love that this image leaves me wondering whether it's actual or imaginary. However, the more I look at this image, I am a little distracted and confused as to why the sky is such a pale daytime blue and not a night time dark blue?

I also wonder if a ratio aspect would help reduce it to the essential elements such as the light trails of the cars and skyscraper horizon? Isaac has used a very low ISO of 80 Nikon which has minimised image noise. The challenge of any long exposure is mitigating the risk of noise. Shooting in RAW makes it possible to reduce any noise when you convert to jpeg using processing software such as Lightroom. Looking though Isaac's website , I can see he enjoys really long exposures, and as such, this aspiring creative photographer is pushing the boundaries of exposure times up to several hours.

I recommend having a peek at his website at your next coffee break. And just look what 25 seconds can get you! Wonderful lines, textures and feeling like you are on top of the world! This dreamy scene of fog in the Bay Area of Nicasio, USA is quite some phenomenon, creating abstract patterns as it "waves" over the top of Mount Tamapaisi. I can appreciate that preparation is key with local knowledge of the area paramount.

As for the image I love the colours and how the foreground tree line grounds the moving fog. I would love to see this in a landscape orientation, in order to show more freedom and draw attention to the direction and movement of the fog. Another cracking image and one to be proud of Giancarlo so please do print it and display on the wall for all to enjoy.

He became a full-time professional photographer in For more information please visit: drewbuckleyphotography. A very lovely landscape image on first glance. Conventional composition techniques used here with the large sea stack sitting near to the top right third intersection. The overall scene is generally well balanced, and the bowl-shaped foreground together with the jut of land, does help to project the eye around and towards the sea stack. Still though only a very minor observation.

Use of filters has been done well and the warm pastel colours of the sky and landscape contrast well with the blue tones of the sea, made calmer by use of a Big Stopper and a four-minute exposure to really flatten the sea. Drew Buckley. A very interesting image and goes to show that any image can benefit from the use of filters to help obtain the right result.

I love photographing in woodland in varying conditions, but rarely would you see something like this. Absolutely amazing conditions and I guess a mixture of heavy snow blizzards and rime ice on the bark of the trees. Compositionally it works as the trees lead the eye to the left third of the scene providing depth and balance.

The colours work nicely as the image from left to right goes from warm yellow to cool blues. I imagine the ND Grad used here was probably positioned with the grad on the left part of the scene fading to the right, perfect use to help keep the exposure constant across the frame. Then the Polariser helping to cut down any shiny reflections and boost the sky colour.

A very unusual but well executed image. The uniform, yet differently shaped, wave cut platform as it recedes away into the frame is a nice touch. Coupled with the long exposure made possible by using the Big Stopper creates an almost seamless transition between landscape and sea. The four-minute exposure has created lovely cloud motion, so the overall scene is very calming, made even more so by the cool blues tones of the sky, which in turn are reflected in the foreground rock pools.

Composition is simple, with the horizon on the top third and the remaining two thirds filled with the interesting rocky foreground. I love long exposures on the coast, having the ability to calm down raging oceans using filters and extending the shutter speed is a big win for me. Finally, any coastal scene is boosted by using a polariser to cut down those surface reflections helping to keep the natural colours of the ocean. The split-tone processing is an interesting affect and works with the limited colour palette of the scene.

This is a great example of if you get the right light and use it correctly. With side lit scenes generally, the overall exposure is pretty even, so just the simple use of a Soft Grad here to keep the sky in check has worked well. The light and shade of the curved bank adds real depth to the scene and the use of a medium telephoto lens helps to compress the pinnacle with the surrounding and distant landscape. Erik McRitchie is a Canadian photographer based out of Calgary, Alberta who spends most of his time capturing the incredible Rocky Mountains in all of their glory!

Having grown up in the foothills of the Rockies, Erik finds incredible joy telling the stories of the people, the places, and the adventures that can be found in his own backyard. For more information please visit: erikmcritchiephoto. Good call on using a really long exposure of s.

This worked perfectly to capture the drama in the sky and to smooth the water. I also really love how you placed the huts on a lower third for a more minimal feel, excellent work! Erik McRitchie. Great choice going with the black and white for this image, it works perfectly! I also really enjoy the mystery in the background with the fog, the railing captures my attention, draws me into the image and the fog stirs my imagination, well done!

I really love the composition on this frame using the rocks, and the pier as a leading line into the frame, the crop also suits this image perfectly! The use of negative space on the left side of the image really captivates me and adds a lot to the image overall.

The railings draw my attention into the frame and are so pleasing to look at! The water texture, combined with the texture of the cement and of the sky works perfectly to pull this image together for me. I love the fact that you placed the rock where you did in your composition as an interesting foreground element. The movement in the clouds, the haze in the background and the layers of the hills all add strength to the overall image.

The texture of the rocks in the water are also quite interesting. Best known for his travel and landscape photography, he also has a particular love for equine photography. He has photographed every corner of France and has an extensive knowledge of travel locations in over 60 countries. His work is represented by some of the best stock libraries worldwide and he regularly has images published in the media.

He has popular Facebook and Instagram pages where he publishes interesting images from his travels. For more information please visit: www. This is a clever shot which makes me smile. Your choice of the Big Stopper is spot on.

The 5-minute exposure works really well to create a smooth, milky look to the water. The image is bright and full of impact. I like the vignette which draws attention to the chair, which is well placed in the frame. It would be even better if the top of the black material was perfectly aligned with the horizon. Next time! Normally, I try to avoid having 2 subjects next to each other because it can create a sense of duality.

However, the position of the landscape in the distance balances the shot and means there are 3 components to the image. The mute colour tone of the sea and the sky is soothing to the eye and adds to the tranquillity of the scene. Great stuff Emanuel. Bense, W. Calvin Colloquium. Perseverance of the Saints, The. Martin, Albert.

Persevering Worker, The. CTS Commencement. Persistent Problems Confronting Bible Translators. Metzger, Bruce. CTS Special Lectures. Personal Account of Captivity in Iran. Koob, Katheryn. Personal Commitments and Professional Ethics. Personal Devotions.

VanderArk, Nelle. Personal Evangelism. Personal Growth and Society Renewal. Olthuis, James. Personal Identity: Postmodern or Transmodern? Norwine, Jim. Bookstore college : No Restrictions. Loss of the Self in a Postmodern Therapeutic Culture. Personal Journey, A. Grissen, Lillian. Personal Journey, A seminar 1. Palmer, Ed F. Conference on Expository Preaching. Daane, James. Killen, Patricia O'Connell. Her talk will explore the challenges and opportunities that the Pacific Northwest's religious characteristics h ave presented to faith communities, as well as consider what the region's religious style might portend for religion in the United States into the midst century.

Mellema Lectures. Sphicher Kasdorf, Julia. The first-person singular, the "I" of the lyric poem--our heritage from the Romantic poets--can seem, these days, to have fallen out of fashion. Poet Julia Spicher Kasdorf offers some resources from traditions of faith for those writers who wish to sustain an individual eye that sees and an "I" that speaks with vision and insight.

Perspectivalism and Christian Knowledge. Westphal, Merold. Jellema Lecture 2 of 2. Merold Westphal, Fordham University. Jellema Lecture Series. Perspective 3. Jellema, William Harry. Perspective on the CRC. Heard, Matthew. Calvin Forum. Perspective Series.

Perspectives 2. Perspectives for Advance. Kromminga, John. Perspectives For Advance. Perspectives on Ecumenism. Sigal, Phillip. Bodewes, Christine. Christine Bodewes received her B. Her Ph. For seven years, Dr. Bodewes was a partner in a large Chicago law firm practicing corporate securities litigation. In , she became a Maryknoll lay missioner, moving to Nairobi, Kenya, where she worked on legal reform and civic education in Kibera the largest slum in Kenya and Sub-Saharan Africa. Bodewes co-founded the land rights program at the Legal Aid Clinic in Kibera, as well as founding the Office of Human Rights, a grass roots program providing free legal service, civic education and advocacy on human rights issues to slum dwellers.

Perspectives on Urban Church Typologies. Fukuyama, Yoshio. Perspectives Series. Persuasion in Calvin's Theology. Willis, E. Christian Association for Psychological Studies. Children's Concert. Peter Braswell, trombone. Braswell, Peter Hoisington, Linda, piano. Student Recital. Peter De Vries Speech. De Vries, Peter. Sophomore Literature Festival.

Petra Second Promo. Petra and Hollywood. Professor of history and director of the archaeology minor at Calvin College, Grand Rapids, Michigan. None : Not Recorded. Petra and the Nabataeans. Graf, Dr. Profesor of history at the University of Miami, Miami, Florida. Petra at the Time of the Crusades. Walker, Dr. Petra Exhibition in International Context. Markoe, Dr. Curator at the Cincinnati Art museum, Cincinnati, Ohio.

Petra Scrolls. Gagos, Dr. Petra's Great Temple. Sharp-Joulowsky, Dr. Phantom Lady, The. Speech Department. Philanthropy in America. Rimel, Rebecca. Walters, Dick Henry. Philip J. Vreeman, percussion. Vreeman, Philip J. Philip McMillan, violin. Philip Oegema Student Recital. Oegema, Philip.

Philip Oegema, piano. Philippines: Images of the Field; Barrio Life. Van Antwerpen, Russ and Pat. Pangasinan, Philippines. Netland, John. Puritanism and its Discontents. Student Recfital. De Koster, Lester. Knollcrest Library Dedication. Philosophical Position on the State, A. Stoker, H. Philosophical Prolegomena. Runner, Evan. Thirteen recordings of classroom lectures by Dr.

The recordings are undated. Runner taught philosophy at Calvin College from He passed away in Audio-Visual college : Available for sale. Philosophy Lecture. Jellema, Wm. Definition of philosophy and how to derive it; what knowing is and how to relate it to self. Philosophy of Ministry: A Study on the Church. Sold Out to Equipping the Laity. Philosophy of Science: Ontology. Wolterstorff, Nicholas Hart, Hendrik.

Phyllis Schneider, Piano. Schneider, Phyllis. John Physical Healing. VanderZee, Len. Signs and Wonders Conference. Physician Assisted Suicide. Bouma III, Hessel. Bookstore college : Not Available for sale. Physicists, The, Part 1 of 2. Bookstore college : Available with permission. CAS Dept. Physicists, The, Part 2 of 2. Piano Duo Concert. Kim, Hyesook Scanlan, Mary. Piano Trio Concert. Picture Books.

Schaap, James. Auilar, Pilar; Paddleford, Nancy. Piano Four Hands, Guest Recital. Pilgrimage Into Faith, A. Westerhoff, John. Pilgrimage of Reconciliation, A. Brother John. Chandler, Paul-Gordon. Paul-Gordon Chandler is an author, a U. Episcopal priest and interfaith activist living and working in the Middle East.

He grew up in Muslim West Africa Senegal , an d has lived and worked extensively throughout the Islamic world with churches, religious publishing and Christian relief and development agencies. Clapp, Rodney; Johnston, Robert. Christian Scholarship For What? Pilgrim's Progress. Pine Rest Family Summit. Page, Alan C. Callahan, Sidney James, Kay Coles.

Technical Services : Not Available. Waite, Linda J. Whitehead, Barbara Dafoe. Doherty, William J. Sheridan, James E. Holstege, Henry. Blankenhorn, David. Callahan, Sidney. Larson, David M. James, Kay Coles. Pious Banker. Pipes Alive! Illuminating the Text, Arousing the Heart.

Brombaugh, Mark; Nichols, Katheryn. Plenary Session in Miller chapel. Organ in Christian Worship, The. Pippert- Thursday; Response, God's and Ours. Pippert- Tuesday. Pirates of Penzance. Alumni Players. Year unknown, possibly Performed Feb. Pirates performed ,, , Place of Civil Authority, The. Elders Seminar. Place of Lament in the Liturgy, The. Wolterstroff, Nicholas. Place of Prayer in world Evangelization, The. On World Evangelization. Place of Psalms in Worship, The.

Old, Hughes Oliphant. Liturgy Conference. Place of Resources in World Evangelization, The. Mooneyham, Stanley. Swierenga, Robert; Edelman, Hendrik. Two Lectures 1 The first lecture goes up to 2 The second lecture starts from View Hostel. Place, Community, and Hope. Two essayists explore the importance of attachment to place, the crucial role of human community in preserving and celebrating wild places, and the role of the writer in off ering hope for the future of the planet.

Places Where They Sing, In. Slenk, Howard. Plain Sense and the Word of God. Libolt, Clayton. Plain Sense and Tape Tape Tape Sanders, Glen. Plaisier Family Story, 1 of 8. Plaisier Family Story, 2 of 8. Plaisier Family Story, 3 of 8. Plaisier Family Story, 4 of 8. Plaisier Family Story, 5 of 8. Plaisier Family Story, 6 of 8. Plaisier Family Story, 7 of 8. Plaisier Family Story, 8 of 8. Van Gunst, Amy; 5th.

Worship Team. Working with a team to plan worship brings challenges and opportunities. This seminar will address the special challenges of working with varying personality styles, issues of spiritual maturity, and conflict management, and consider what is involved in beginning and maintaining a worship team. Through discussion and observation participants will explore the process of planning and leading worship as the Fifth Reformed churc h worship team prepares to plan and lead worship for Saturday morning.

Planning a Service By Committee. Beversluis, Claudia. Planning a Service by Liturgi. Planning and Leading Worship as a Pastoral Task. Witvliet, John. This seminar is for students, staff, teachers, and any others interested in deepening and renewing worship in Christian High school chapel services through thoughtful worshi p planning and leading. VanderLeest, Steven. Noontime Series. Planning Process from Lent to Easter.

Calvin College Symposium. Planning Process from Lent to Easter;. Malefy; Witvliet. Planning Repetoire for Church Choirs. Practical considerations in planning the repertoire for your church choir, whether large or small, as well as principles for selecting different types of music for different parts of the service. Bookstore college : Not Recorded. Planning Worship and Music Together. Vanderwell, Malefyt, Witvliet. Planning Worship for and with Children and Youth.

Planning Worship for the Global Village. Lockward, Jorge. This workshop will show ways to gently lead congregations to the green pastures of a culturally diverse worship experience while engaging and renewing their sacred memory. Planning Worship with Hymnary. Scheer, Greg. In recent years, an explosion of resources and music styles has made worship planning an almost overwhelming task.

This session will review the basics of using Hymnary. Planning Worship with www. Plantinga, Harry; Scheer, Greg. Planning Worship: Joining Structure and Style. Planning Worthip: Practical Techniques. Planting of the Lord, A. Plato's republic-Practical significance of Problem of Republic.

Education in the Republic Prefatory. Play that Funky Music. Dance Guild's fall show. Playing God: Creativity and Cultural Power. Crouch, Andy. A senior editor at Christianity Today International, he has served as executive producer of the documentary films Where Faith and Culture Meet and Round Trip and was editoria l director of the Christian Vision Project from to A classically trained musician who draws on pop, folk, rock, jazz and gospel, he ha s led misical worship for congregations of five to twenty thousand.

He and his family live in Pennsylvania. Coffee Break Sectionals and Worship Services. Evans,Rachel Held. Multi-Ethnic Conference. Wilson, Paul Scott. Friday morning Plenary held in Fine Arts Center. Amayun, Milton. His career spans close to thirty year s serving in various locations across five continents with faith-based organizations - in disaster relief, child survival, HIV and AIDS, disease control and community health.

Riak, Abikok. Faith and International Deveolopment Conference, Okaalet, Peter. This conference centers on practical theology of development, especially as it relates to four vital arenas in our contemporary context: peace building and reconciliation, g lobal health, environmental care and economic justice.

Plenary 2: Edward Cardoza. Cardoza, Edward. Building a movement for global health equity means tackling not just disease, but all the barriers to health. Skeptics warn this approach is too complicated, too expensive and unsustainable-but time and time again experience has shown that a comprehensive approach is the only way to fundamentally improve the health of patients and improve the quality of life in communities.

Drawing from the experience of Partners In Health in Haiti and Rwanda, Ed Cardoza will present some elements which might prove essential ingredients in a long-term strategy for reversing generations of privation. Faith and International Development Conf. Gbowee, Leymah.

As she says, she turned, "from a child into an adult in a matte r of hours. She brought the women of the Christian Churches together into a group called the Christian Women's Initiative and began issuing calls for peace, then formed a coalition with women in Muslim organizations, eventually forming the Liberian Mass Action for Pe ace. Leymah is currently building Women, Peace and Security Africa, a women's organization in Ghana that will build relationships across the West African sub-region and support women's capacity to prevent, avert and end conflicts.

Berkenbosch , Roy. Moraga Amador, Moises. Plenary 3: Ernso Jean Louis. Louis, Ernso Jean. My country Haiti has been, and still is, for as long as I can remember the poorest country in the western world. What can be done? The answers lie in the hands of a new breed of missionaries, young men and women who are willing to go in those developing countries in order to show these people how to fish and n ot to give them a fish everyday like it has been in the past. I want to encourage others to get involve in what several sociologists have called the 'Quiet Revolution', helping others to become sustainable.

Marshall, Katherine. Omanyo , Davis. Musekura, Rev. Plenary 4: Luis Noda. The sustainability of development actions is a high desired goal from the beginning of any project or program. However, this is an element that does not come spontaneously u nless it is planned for and foreseen. But, what do we mean by sustainability? In my professional experience working in development projects and programs, sustainability has to do with the local context, institutional settings, ownership and participation of beneficiaries.

Moreover, under a Christian perspective, sustainability has to do with personal beliefs, attitudes and actions behavior change that shape the final result of development efforts. De La Torre, Augusto. Plenary 5, Panel Discussion. Plenary 5: Panel Discussion. Robelo, Linda. Plenary and Breakout Speakers.

Plenary Sampler Session II. Brief, highly focused presentations by several conference leaders. Audio-Visual college : Not Available for sale. Farhadian, Charles; Hawn, C. Plenary Session. Brink, Emily. Webber, Robert. Begbie, Jeremy. Van der Vyver, Johann; Hittinger. Plenary Session 1. Wan, Peggy Augsburger, David. Plenary Session 2. Plenary Session I. Plenary session II.

Plenary Session III. Goheen; Glassford; Zantingh. Finding Our Place in the Biblical Story. Ideas for celebrative and hospitable worship. Plenary Session: Sounding Out the Idols. Guinness, Os. Plenary: Ancient-Future Justice. Included with A, "Worship - Arise, Shine. Pohl, Christine. Dallas Willard. Plenery and Breakout Speakers October 3, Williams, Walter.

Plot, Fate, and Providence. McInerny, Ralph. Plotting Paths to Power. Lindsay, Michael. Are leadership qualities innate, learned, bought? Plantinga, Alvin. CTS Ph. Continuous Seminar. Lab Bills, Siegel, Robert. We often find that the poem we are writing takes off in a strange direction: the poem we want to write turns into the poem that wants to be written. Robert Siegel leads part icipants in exercises that help them get in touch with the subliminal or subconscious self—and the poem that wants to be written.

Poem is Born, A. Hall, Donald; Cairns, Scott. Poems of Faith for the s. Calvin College Today. Poet and Pastor on Patmos. Peterson, Eugene. Poet Speaks from the Gulag, A. Ratushinskaya, Irina. Poetic Justice. Armour, Amanda. See what happens when poetry leaves the page. Poetics and Prosaics: The Writer's Community. Two poets from different religious backgrounds, Orthodox and Muslim, discuss the ways in which they strive to write about faith in their work.

Poetry and Passion of the Psalms, The. Seerveld, Calvin. Poetry as Religious Feeling. Howe, Fanny; Wiman, Christian. Poets Fanny Howe and Christian Wiman explore ideas about the spiritual impulse in poetry, and about the poem as sacred space involving attentiveness, doubt, questioning, and a desire for intimacy with the divine. They observe some of the ways in which poetry—as well as language—satisfies, and fails to satisfy, religious longings.

Wells, Sarah. Exploring the ways in which canonized and contemporary poets alike have incorporated spirituality into their writing as an act of worship, this session provides participants with ideas that they can take back to their places of worship to incorporate the written word into the corporate worship experience.

Poetry at the Turn of the Millennium. Poetry of Astonishmen, The: Preaching the Psalms. Davis, Ellen. We will use the Psalms as a case study for considering what it means for the preacher, first, and then the congregation, to be astonished by the biblical text. Is astonishme nt a faithful response to the text, and to God? How might this ancient poetry be surprising, and therefore revelatory, to those who hear it in our contemporary contexts?

What sort of preparation is necessary for the preacher who wishes to engage the Psalm s as poetry? Poetry of Denise Levertov, The. Poetry of John Donne. Patrides, C. Poetry of Life Conversation , The. Childress, Susanna; Kasdorf, Julia Spicher. Poets often draw from personal experiences in their work. Poetry of Spring, The. Tiemersma, Richard, R. Tiemersma, Richard. Poetry Spoken and Sung.

Capella Choir. At the close of the day, enjoy the poetry of e. Poetry These Days. Poetry, Performance and Community. Johnson, Patricia. This session was not recorded. Poets as Readers of Scripture. Gardner, Thomas. Thomas Gardner considers the way poets respond to Scripture by taking its words as particularly addressed to them, dramatizing the way readers ponder and consider, leap forw ard and come to a halt. Poets, he argues, teach us how to read in new and powerful ways.

Special emphasis will be placed on poems responding to the Gospel of John. Point of It, The. Reynolds, Barbara. Right Channel Only. Honors Convocation. Bess, Philip. DeWeese, Paul; Skillen, James. Political Lifestyle of Jesus. Avila, Mariano. Mariano Avila holds a Ph. Nagel Institute. Political, Cultural, and Spiritual State of the Union.

He is also a panelist on Fox News Watch and provides a daily radio commentary heard on over stations. Thomas writes and speaks frequently about p olitical and societal issues, from a conservative viewpoint, with comments that are frequently controversial as well as thought provoking.

Paul Henry Lecture. Politics and Evangelism in Central America. Bergsma, Paul. VanDyke Mission Lectures. Politics by the Bible. Monsma, Steve. If the Bible directed our voting and political priorities, choosing a party might not be easy. Shirley Hoogstra ho sts. Politics of Oil, The. Evans, Robert. Politics of Pollution, The. Ehlers, Vernon. Focus on the Environment. Booke, Paula. Paula Booke received her M. Her research has focused around religion and politics, race and politics, political psychology, public opinion and qualitative methods.

Phillips, Kevin. Politics of the Judicial System, The. Bork, Robert. Politics of World Hunger, The. Simon, Arthur. Lecture Council Series. De Moor, Henry. Polls, the Mass Media, and American Politics. De Vries, Walter. Pooling Metaphors Overflowing. Woiwode, Larry. What are the pools of metaphor in which we bathe daily? What exactly does it mean to surrender ourselves to the metaphor?

And how do we do that? Larry Woiwode explores the centrality of metaphor in our lives. Fisher, James F. Qumsiyeh, Mazin. Mazin Qumsiyeh, a Palestinian from Beit Sahur Bethlehem , left a full time teaching career in zoology and genetics at Yale and Duke to return to Palestine to lead and p romote popular resistance against the Israeli occupation. Qumsiyeh, a well know international speaker, is currently on a speaking tour across Europe and the United Stat es.

Population Issues. Rice, Rodger. Population: Programs and Policy. Leahy, Michael. Many are not prepared for the guilt, altered perspective, and addiction that often follow in pornography's wake. Leahy describes the destruction from first-hand experience, and suggests ways to begin rebuilding. Ka ren Saupe hosts. Portable Calvin Commercial.

Meyering, Darlene. Portable Pulpit, The. Ugolink, Anthony. Positioning a Heritage. Aay has long studied the Netherlands, published on the geography of the country, served as a visiting scholar at the Free University of Amsterdam and University of Gronigen and led more than ten Calvin off-campus interim courses there. DeMoor, Evertsburg. Sanneh, Lamin. Confidence in a century of Western missions was on the wane when, in the s, the current Christian resurgence kicked in, catching us off guard.

Is that loss of confidence too far advanced to be reversible even by mounting evidence of an unflagging resurgence? What are the implications of the gulf between a resurgent post-Western Christianity and an increasingly post-Christian West? Seminars in Christian Scholarship. Post-Modern Philosophy and Christian Faith. Westphal, Marold. Jellema Lecture 1 of 2. Postmodernism, Worship, and Evangelism. Smith, James K. Postmodernism: Opportunities and Dangers. Kreeft, Peter. Veritas Postponing Discipleship.

Lyon, Brandon. Information on the series of events at: www. War Awareness Series, Price, Martin. ECHO, the Educational Concerns for Hunger Organization, is a Christian non-profit organization that helps individuals and organizations working with small farmers and urban gardeners in Third World countries. Price will share some examples of research that would help the exceptionally poor in developing countries and suggest ways that Calvin College scienc e departments could involve their students in pro-poor research.

Christian Perspectives in Science Seminar Series. Potter's House, The. DeJong, Jeff and Kathy. Wright, Brendan. Poverty and Prayer and the Power of Film. Straub, Gerard Thomas. Gerard Thomas Straub is an award-winning author of four books, including a novel. Gerry has written and directed nine documentary films, three of which have aired on many PBS television stations, including "We Have a Table for Four Ready", which told the inspirational story of a soup kitchen run by Franciscan friars in Philadelphia.

He also wrote and produced a nationally syndicated magazine show and created an internationally syndicated soap opera. For more information on Gerry Straub visit his website at www. Skillen, James. Power and Economics. Vandezande, Gerald. Power and Economics, Tape 2.

Power for the Faint. Power of Christ, The. Power of Prayer, The. Power of Preaching, The. Power of Precision, The: Job 10 3 of 3. Fokkelman, J. Calvin Theological Seminary. Munoz Ryan, Pam. Power of the Pulpit, The. Lanning, Ray. Power of Visual Imagery, The. Nicolosi, Barbara. Long before the advent of movies changed the pacing and style of popular storytelling, the greatest writers understood that "a picture is worth a thousand words. In this session, Barbara Nicolosi discusses how to create powerful visual metaphors and how to avoid maudlin ones, encouraging w riters to embrace mystery.

Power of Wordless Persuasion, The. Beeners, William. Power to Be One. Pauw, Jane Plantinga. Power vs.

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I hope everyone is as excited for 1. You probably won't notice. This patch hopefully finalizes Painterly for the long-awaited 1. It also continues the propogation of the new wood colours, adds several new community submissions, and several other goodies! With any luck, this will be the last update on the old back-end as the new one is nearing completion and will enable a lot more possibilities for things such as proper mod support.

TERRAIN - 38 options for emerald ore, including repurposed mystic ores gems emerald, topaz, sapphire, amethyst and gold options. OBJECTS - 8 styles of ender chest - purple and cyan eye chests in black, purple or magma obsidian, and marble chests with black or purple obsidian.

This patch adds several options to prepare Painterly for the 1. Furthermore, it begins expansion of the new wood colours into the other options, beginning with doors, boats, minecarts and crafting tables. Several fixes have also been added, and next update we're hoping to push out the new coding backend! This time around you can look forward to: - 2 new wood textures, in all 6 wood colours. This patch updates Painterly to Minecraft 1. Although not a lot of new blocks were added, absolute gobs of new options were added for them, because that's just how we roll.

A few community requests and fixes were also added. Featured items in this patch are: - Added a miniature sandworm option for desert shrubs. Includes several existing and new textures, as well as flat marble and basalt options.

Includes several existing textures, as well as a few glyph, sand garden, and square block options. Use a top, middle and bottom with the 3 new ornamanetal blocks to make marble pillars! This patch adds 1. Several new biome options due to popular demand, as well as a veritable swarm of cats. New MCPatcher compatibility options include biome shaders for pine, birch, swamp and swampgrass regions, as well as working custom lightmaps by Brae This time around, you can expect: - Vase variant for cauldrons.

Separated bricks from brick icon options. We've done a massive site overhaul, largely thanks to the efforts of master internet coder extraordinaire, Pixotic! In addition to a more modernized layout and several new graphics and widgets, this long-needed overhaul paves the way for a more ambitious back-end overhaul down the road that will make things run much more smoothly and allow for even faster updates.

Some new items to check out on the site: - Added new widgets for patch notes and donations which you've found if you're here. Subscribe to get all the lastest Painterly news! A mini-update with a couple left-over items that didn't make it into the telethon graphics package in time. Also included are screenshots of all the new Telethon mobs, thanks to courageous war photographer LizzyintheSky.

This time around, you can expect to find: - Fixed graphical issue with Gygas moon. The telethon textures are finally here! Over texture items created, all said and done, as part of the painterly telethon, as chosen by YOU, the viewer at home. I hope everyone enjoys this fan-driven bundle.

Thank you again, everyone who made the telethon possible, and for your awesome suggestions and generous donations. You guys are the best. Check HERE to see who bid on what. Also, a huge thanks to Fuzzball Fox, who donated several bonus textures and helped in his free time.

This time around, you can find: - New 'retro NES' style paintings file - Red engineer, Blu engineer, villager, ghostly villager, roman centurion, and daedric armors. Apologies for delays in getting the last of this update out - as those who have been in contact with me know, real live has been kicking my butt lately, between losing my old home, hospital visits, and job hunting.

Apologies, however, I've got something very special planned to mark the 5 million downloads event here at Painterly, which will be happening pretty darn soon! This pack rounds out the last of the Release Candidate options that were missing, and fixes a few minor issues in current packs. Available this update is: - Fixed some ongoing minor GUI issues. The biggest update ever! You'll find it was well worth the wait - providing complete compatibility and customization for the 1.

Over new graphical items were added for this massive update, and more will be coming down the road, to be sure. Pick from all 7 mushroom colours, roots, stem, spotted white and classic colours. Compatibility patch for Beta 1. Lots of new goodies for all those amazing new items and doodads and monsters and foods.

What you can expect this time around: - added 'remove' pumpkin blur and made all 11 pumpkin blurs selectable - added 5 melon options - classic, watermelon, leafy watermelon, pumpkin and honeydew - added 11 melon slice options for the various melon types - added 8 cracked stone textures - added sidewalk cement half brick texture - added 15 window pane side textures selected automatically through window choice - added 13 ivy textures in normal, green and dead - added 3 vine textures in normal, green and dead - added 7 iron bars textures - added 9 seeds textures including pumpkin, melon, honeydew, as well as medallion replacements for graves, gargoyles, etc.

A new GUI option for the updated Airships mod has been added. Nothing else to report. More or less. We're working on a new back end which should take care of these problems on a more permanent bases, but there's no ETA as it's a huge project. There have been some improvements to make the customizer load a bit faster. Big thanks to Scaevolus, CapnCapacitor and Alligator for their help on that front. This update continues our ongoing increased support for the Yogbox, with many new textures added to support its many mods!

Obviously not everything is there, but it's getting more complete every update. You can merge your customized Painterly with the one included in Yogbox by unzipping the painterly you download from here, and copying the files over top of the ones included in the Painterly found in Yogbox, and then using that pack. This will allow you to keep your choices while still getting all the other options in Yogbox. Available this update is: - Added red and yellow flowered mossy cobblestone for detailed bricks and both dungeon stone styles.

More mod support! This time around, we've got some added support for some of the more popular stone-and-ore-based mods featured in the infamous Yogbox. Included in the newly added textures is full support for the Randomite, Mystic Ores, and Mystic Dungeons mods. Featured are: - Added the tutorial level for the Amazopack to the Amazopack page - try it today! We're not dead! In fact, quite the opposite : Amazo has been updated to work with Minecraft 1.

Tutorial coming VERY soon, as well as support for a few new mods, when I can finish updating the back end for them. Featured this small update: - Amazopack installer now compatible with Minecraft 1. Sorry, no ETA at this time. I hope you all appreciate that thanks to Pistons using wood, stone AND slimes, I had to make seventy bajillion options to account for all combinations!

Requires MCPatcher to use. It's been a long time coming, but it's finally here! Six amazing mods by four amazing modders, with hopefully some more on the way! Click the link at the top of the page to find out what it's all about, who's responsible for making these beautiful mods, and honestly, who you should be donating to if you can for their fantastic work. Somethingawful, Reddit, Yogscast, and all the other amazing and fantastic Painterly and modding supporters out there - this is for you!

This update adds the following options to the base minecraft game: - 'Bee hell' nether textures for glowstone, glowstone dust, netherrack and soul sand - Golden lava option for MCPatcher, to match the 'Bee Hell' theme. This update also adds over new graphics supporting 6 mods, including: - ROPE - New rope, rope top, and rope inventory icons for this mod. Another major milestone - 2,, customized pack downloads AND 1,, non-customized pack downloads! You guys and gals are amazing!

I can only hope that I can keep making everyone happy with continued improvements to the pack! As a thank you to everyone, a special little bonus has been added to celebrate this monumental occasion. Check out the 'mobs' section of the page for a preview! We're working on solutions and should have something soon that will get everything working tip-top once again. Sorry for the inconvenience - you can still preview the images by rolling your mouse over where the thumbnail should be, in the meantime.

Refresh your page if you still don't see them! Thank you Scaevolus! Mostly an improvement patch and a few community items. I wasn't really happy with how the biome wheatgrass turned out, so I redid it, and added several new options, to boot.

Also included are some screen door trapdoors thanks for the idea, Extranoise! Beta 1. Enjoy your maps and wheatgrass and trap doors and desert shrubs and whatever else you fancy. In addition to options I've created, you can find several community options included as well, such as more amazing new armor options by the talented LvK, and an arctic slime by TS Featured are: - updated the paper graphic for standard reeds - updated the signs art pack with new graphic sent by Extranoise of Quandary Pack fame - added classic-style leather armor by LvK - added classic-style iron armor by LvK - added new armor icons for new armor sets - added new chess cloth blocks and dyes, inspired by a suggestion from Sketch - added 3 new lapis lazuli blocks - added arctic slime texture based on design and concepts from TS - included new map background images - included 6 map inventory icon options - included 17 trap door options - included 36 wheatgrass options, useable on either wheatgrass texture - included 22 desert shrub options - customizer back end code has been changed to hopefully fix some minor ongoing issues and make upgrading in the future slightly easier.

Another tiny update, adding a few things I had in the works but didn't have time for yesterday, as well as some amazing new community-submitted armor options by the talented LvK. Featured are: - fixed minor alignment issue with some gui options - new cloth armor: barbarian - new cloth armor: barbarian with fake muscle suit - new iron armor: horned helmet savage plate - new gold armor: variant gag armor - new diamond armor: high-fantasy redstone tech - 2 new brown pig options - regular and special needs - 4 new pink pigman options - regular and eyeless in normal and bone - 2 new pink zombie pigman options.

Added support for airships. Because airships are awesome. Featured are: - added rope option for string - 2 airship bases - light and dark wood - 2 airship engines - light and dark wood - 6 airship balloon options - basic white, starapple, pirate, creeper, ghast, and happy ghast. A medium-sized patch that addresses some of the final few items which didn't previously have customization options, along with a few other things here and there.

Featured are: - 6 options for your item selection hotbar - added option to put small numbers in corner of hotbar - 9 options for hotbar item selection cursor - 2 options for menu buttons - 3 new pumpkin variants added - gargoyle, grave and strange stone - 2 new 'dungeon-style' cobblestones added also added as half blocks and mossy cobblestone.

Wrapping up several outstanding issues and expanding on a few new ones. Lots of small things this time around. Enjoy your Jaffa Cakes, Honeydew! Featured are: - 9 secret door options for iron doors - all stone types plus two library options. Welcome to beta 1. This is our biggest update yet, adding over graphics, though to be fair many are touchups or improvements of old blocks, or old graphics modified to be compatible with 1. Pack compatibility options include: - all rails have been redone to be compliant with the new 'center shading' standard.

Options new for Beta 1. Festive easter options inspired by designs from Liselle include: - added easter basket buckets. Options to 'modernize' the look of your minecraft world include: - added whitewashed wood siding as a wood plank texture. Miscellaneous Options include: - rocky sand option for sandstone. I've added wildgrass mod support! Select all sorts of wildgrass options from the customizer, or not, as you wish.

Search Enter a team or competition Search. W Won 1 - 0 against Sheffield United on January 30th W Won 2 - 0 against Burnley on February 3rd W Won 4 - 1 against Liverpool on February 7th L Lost 1 - 2 against Sheffield United on January 27th D Drew 0 - 0 against Arsenal on January 30th W Won 9 - 0 against Southampton on February 2nd D Drew 3 - 3 against Everton on February 6th D Drew 1 - 1 against Everton on January 27th L Lost 1 - 3 against Leeds United on January 31st W Won 2 - 0 against Fulham on February 3rd D Drew 0 - 0 against Wolverhampton Wanderers on February 7th W Won 3 - 1 against Tottenham Hotspur on January 28th L Lost 1 - 4 against Manchester City on February 7th D Drew 0 - 0 against Wolverhampton Wanderers on January 27th W Won 2 - 0 against Burnley on January 31st W Won 1 - 0 against Tottenham Hotspur on February 4th W Won 2 - 1 against Sheffield United on February 7th W Won 3 - 2 against Crystal Palace on January 26th L Lost 1 - 3 against Liverpool on January 31st W Won 3 - 1 against Aston Villa on February 3rd D Drew 0 - 0 against Fulham on February 6th D Drew 1 - 1 against Leicester City on January 27th L Lost 0 - 2 against Newcastle United on January 30th W Won 2 - 1 against Leeds United on February 3rd D Drew 3 - 3 against Manchester United on February 6th L Lost 1 - 3 against Liverpool on January 28th L Lost 0 - 1 against Chelsea on February 4th L Lost 2 - 3 against Burnley on January 27th W Won 1 - 0 against Southampton on January 30th W Won 1 - 0 against Arsenal on February 6th W Won 2 - 1 against Newcastle United on January 26th W Won 3 - 1 against Leicester City on January 31st L Lost 1 - 2 against Everton on February 3rd W Won 2 - 0 against Crystal Palace on February 8th W Won 3 - 1 against Southampton on January 26th D Drew 0 - 0 against Manchester United on January 30th L Lost 1 - 2 against Wolverhampton Wanderers on February 2nd L Lost 0 - 1 against Aston Villa on February 6th L Lost 1 - 3 against Arsenal on January 26th L Lost 0 - 1 against Aston Villa on January 30th L Lost 0 - 9 against Manchester United on February 2nd L Lost 2 - 3 against Newcastle United on February 6th W Won 1 - 0 against Wolverhampton Wanderers on January 30th W Won 2 - 1 against Newcastle United on February 2nd L Lost 0 - 2 against Leeds United on February 8th D Drew 0 - 0 against Chelsea on January 27th L Lost 0 - 1 against Crystal Palace on January 30th

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Separated bricks from brick icon options. We've done a massive site overhaul, largely thanks to the efforts of master internet coder extraordinaire, Pixotic! In addition to a more modernized layout and several new graphics and widgets, this long-needed overhaul paves the way for a more ambitious back-end overhaul down the road that will make things run much more smoothly and allow for even faster updates.

Some new items to check out on the site: - Added new widgets for patch notes and donations which you've found if you're here. Subscribe to get all the lastest Painterly news! A mini-update with a couple left-over items that didn't make it into the telethon graphics package in time. Also included are screenshots of all the new Telethon mobs, thanks to courageous war photographer LizzyintheSky. This time around, you can expect to find: - Fixed graphical issue with Gygas moon.

The telethon textures are finally here! Over texture items created, all said and done, as part of the painterly telethon, as chosen by YOU, the viewer at home. I hope everyone enjoys this fan-driven bundle. Thank you again, everyone who made the telethon possible, and for your awesome suggestions and generous donations.

You guys are the best. Check HERE to see who bid on what. Also, a huge thanks to Fuzzball Fox, who donated several bonus textures and helped in his free time. This time around, you can find: - New 'retro NES' style paintings file - Red engineer, Blu engineer, villager, ghostly villager, roman centurion, and daedric armors. Apologies for delays in getting the last of this update out - as those who have been in contact with me know, real live has been kicking my butt lately, between losing my old home, hospital visits, and job hunting.

Apologies, however, I've got something very special planned to mark the 5 million downloads event here at Painterly, which will be happening pretty darn soon! This pack rounds out the last of the Release Candidate options that were missing, and fixes a few minor issues in current packs. Available this update is: - Fixed some ongoing minor GUI issues.

The biggest update ever! You'll find it was well worth the wait - providing complete compatibility and customization for the 1. Over new graphical items were added for this massive update, and more will be coming down the road, to be sure. Pick from all 7 mushroom colours, roots, stem, spotted white and classic colours.

Compatibility patch for Beta 1. Lots of new goodies for all those amazing new items and doodads and monsters and foods. What you can expect this time around: - added 'remove' pumpkin blur and made all 11 pumpkin blurs selectable - added 5 melon options - classic, watermelon, leafy watermelon, pumpkin and honeydew - added 11 melon slice options for the various melon types - added 8 cracked stone textures - added sidewalk cement half brick texture - added 15 window pane side textures selected automatically through window choice - added 13 ivy textures in normal, green and dead - added 3 vine textures in normal, green and dead - added 7 iron bars textures - added 9 seeds textures including pumpkin, melon, honeydew, as well as medallion replacements for graves, gargoyles, etc.

A new GUI option for the updated Airships mod has been added. Nothing else to report. More or less. We're working on a new back end which should take care of these problems on a more permanent bases, but there's no ETA as it's a huge project. There have been some improvements to make the customizer load a bit faster. Big thanks to Scaevolus, CapnCapacitor and Alligator for their help on that front.

This update continues our ongoing increased support for the Yogbox, with many new textures added to support its many mods! Obviously not everything is there, but it's getting more complete every update. You can merge your customized Painterly with the one included in Yogbox by unzipping the painterly you download from here, and copying the files over top of the ones included in the Painterly found in Yogbox, and then using that pack.

This will allow you to keep your choices while still getting all the other options in Yogbox. Available this update is: - Added red and yellow flowered mossy cobblestone for detailed bricks and both dungeon stone styles. More mod support! This time around, we've got some added support for some of the more popular stone-and-ore-based mods featured in the infamous Yogbox.

Included in the newly added textures is full support for the Randomite, Mystic Ores, and Mystic Dungeons mods. Featured are: - Added the tutorial level for the Amazopack to the Amazopack page - try it today! We're not dead! In fact, quite the opposite : Amazo has been updated to work with Minecraft 1. Tutorial coming VERY soon, as well as support for a few new mods, when I can finish updating the back end for them.

Featured this small update: - Amazopack installer now compatible with Minecraft 1. Sorry, no ETA at this time. I hope you all appreciate that thanks to Pistons using wood, stone AND slimes, I had to make seventy bajillion options to account for all combinations! Requires MCPatcher to use. It's been a long time coming, but it's finally here! Six amazing mods by four amazing modders, with hopefully some more on the way!

Click the link at the top of the page to find out what it's all about, who's responsible for making these beautiful mods, and honestly, who you should be donating to if you can for their fantastic work. Somethingawful, Reddit, Yogscast, and all the other amazing and fantastic Painterly and modding supporters out there - this is for you!

This update adds the following options to the base minecraft game: - 'Bee hell' nether textures for glowstone, glowstone dust, netherrack and soul sand - Golden lava option for MCPatcher, to match the 'Bee Hell' theme. This update also adds over new graphics supporting 6 mods, including: - ROPE - New rope, rope top, and rope inventory icons for this mod.

Another major milestone - 2,, customized pack downloads AND 1,, non-customized pack downloads! You guys and gals are amazing! I can only hope that I can keep making everyone happy with continued improvements to the pack! As a thank you to everyone, a special little bonus has been added to celebrate this monumental occasion.

Check out the 'mobs' section of the page for a preview! We're working on solutions and should have something soon that will get everything working tip-top once again. Sorry for the inconvenience - you can still preview the images by rolling your mouse over where the thumbnail should be, in the meantime. Refresh your page if you still don't see them! Thank you Scaevolus! Mostly an improvement patch and a few community items. I wasn't really happy with how the biome wheatgrass turned out, so I redid it, and added several new options, to boot.

Also included are some screen door trapdoors thanks for the idea, Extranoise! Beta 1. Enjoy your maps and wheatgrass and trap doors and desert shrubs and whatever else you fancy. In addition to options I've created, you can find several community options included as well, such as more amazing new armor options by the talented LvK, and an arctic slime by TS Featured are: - updated the paper graphic for standard reeds - updated the signs art pack with new graphic sent by Extranoise of Quandary Pack fame - added classic-style leather armor by LvK - added classic-style iron armor by LvK - added new armor icons for new armor sets - added new chess cloth blocks and dyes, inspired by a suggestion from Sketch - added 3 new lapis lazuli blocks - added arctic slime texture based on design and concepts from TS - included new map background images - included 6 map inventory icon options - included 17 trap door options - included 36 wheatgrass options, useable on either wheatgrass texture - included 22 desert shrub options - customizer back end code has been changed to hopefully fix some minor ongoing issues and make upgrading in the future slightly easier.

Another tiny update, adding a few things I had in the works but didn't have time for yesterday, as well as some amazing new community-submitted armor options by the talented LvK. Featured are: - fixed minor alignment issue with some gui options - new cloth armor: barbarian - new cloth armor: barbarian with fake muscle suit - new iron armor: horned helmet savage plate - new gold armor: variant gag armor - new diamond armor: high-fantasy redstone tech - 2 new brown pig options - regular and special needs - 4 new pink pigman options - regular and eyeless in normal and bone - 2 new pink zombie pigman options.

Added support for airships. Because airships are awesome. Featured are: - added rope option for string - 2 airship bases - light and dark wood - 2 airship engines - light and dark wood - 6 airship balloon options - basic white, starapple, pirate, creeper, ghast, and happy ghast. A medium-sized patch that addresses some of the final few items which didn't previously have customization options, along with a few other things here and there.

Featured are: - 6 options for your item selection hotbar - added option to put small numbers in corner of hotbar - 9 options for hotbar item selection cursor - 2 options for menu buttons - 3 new pumpkin variants added - gargoyle, grave and strange stone - 2 new 'dungeon-style' cobblestones added also added as half blocks and mossy cobblestone. Wrapping up several outstanding issues and expanding on a few new ones.

Lots of small things this time around. Enjoy your Jaffa Cakes, Honeydew! Featured are: - 9 secret door options for iron doors - all stone types plus two library options. Welcome to beta 1. This is our biggest update yet, adding over graphics, though to be fair many are touchups or improvements of old blocks, or old graphics modified to be compatible with 1. Pack compatibility options include: - all rails have been redone to be compliant with the new 'center shading' standard.

Options new for Beta 1. Festive easter options inspired by designs from Liselle include: - added easter basket buckets. Options to 'modernize' the look of your minecraft world include: - added whitewashed wood siding as a wood plank texture. Miscellaneous Options include: - rocky sand option for sandstone.

I've added wildgrass mod support! Select all sorts of wildgrass options from the customizer, or not, as you wish. Obviously, this requires the Wildgrass mod to work, and is disabled by default in customized packs. Also added are a couple community-request items for wolves and armor. Featured are: - 6 new Wolf options, including classic-style white and grey dogs, halloween skeleton dogs, and scarves instead of collars for wolves.

Over new graphics today! This time around we've got a massive grab bag covering little odds and ends for every corner of the pack. We've just hit an important milestone everyone! Thank you all, I couldn't have come this far without the support, donations, and word of mouth and overall great assistance from the community - you folk are all so great! We're pushing over 2. To mark this special occasion, two special rhodox-themed items have been added to the pack - a rhodox-logo cake for celebrating, and a plush rhodox doll replacement for the gold sword.

Collect em! Trade em! You can even swing em! Another big patch is in the works, but I'm holding out until the dog patch goes live so I can do everything in one go. A small update - been busy preparing for various birthday shenanigans and starting a new job, so just a tiny update for now.

This update adds 5 new block breaking animations, a new watch dial graphic, a new tree leaf texture, and 4 new wood plank textures and a new diamond sword. It also adds the ability to remove the vignette graphic from the pack, adds correct icons to the storage carts for the new chest options, and fixes a graphical error with the new biome textures caused by white sections on the triangles. I would also like to take this opportunity to give a huge thanks to Mr. Thank you so much for your support and kindness - I sincerely mean that from the bottom of my heart.

It's lavawine time! This update adds new graphic items mostly centered around grapes and wine, including 2 frame custom lava animations! This update adds compatability with the Beta 1. This update adds 6 new lightstone options, a SNES-themed painting style, removes the melting sprites paintings they were lazy and almost nobody used them , and most importantly, adds alternate dirt options.

L Lost 2 - 3 against Newcastle United on February 6th W Won 1 - 0 against Wolverhampton Wanderers on January 30th W Won 2 - 1 against Newcastle United on February 2nd L Lost 0 - 2 against Leeds United on February 8th D Drew 0 - 0 against Chelsea on January 27th L Lost 0 - 1 against Crystal Palace on January 30th W Won 2 - 1 against Arsenal on February 2nd D Drew 0 - 0 against Leicester City on February 7th D Drew 0 - 0 against Fulham on January 27th W Won 1 - 0 against Tottenham Hotspur on January 31st W Won 1 - 0 against Liverpool on February 3rd D Drew 1 - 1 against Burnley on February 6th L Lost 1 - 2 against Leeds United on January 26th W Won 2 - 0 against Everton on January 30th L Lost 1 - 2 against Crystal Palace on February 2nd W Won 3 - 2 against Southampton on February 6th W Won 3 - 2 against Aston Villa on January 27th L Lost 0 - 2 against Chelsea on January 31st L Lost 0 - 2 against Manchester City on February 3rd L Lost 0 - 2 against Leicester City on February 3rd L Lost 0 - 5 against Manchester City on January 26th D Drew 2 - 2 against Fulham on January 30th L Lost 1 - 2 against Sheffield United on February 2nd L Lost 0 - 2 against Tottenham Hotspur on February 7th W Won 2 - 1 against Manchester United on January 27th L Lost 0 - 1 against Manchester City on January 30th L Lost 1 - 2 against Chelsea on February 7th Last updated 9th February at Man City.

W Won 2 - 0 against Aston Villa on January 20th Man Utd. W Won 2 - 1 against Fulham on January 20th W Won 2 - 0 against Chelsea on January 19th L Lost 0 - 1 against Burnley on January 21st L Lost 0 - 2 against Leicester City on January 19th West Ham.

W Won 2 - 1 against Wolverhampton Wanderers on January 12th W Won 3 - 1 against Sheffield United on January 17th Aston Villa. W Won 2 - 0 against Newcastle United on January 23rd W Won 3 - 0 against Newcastle United on January 18th L Lost 0 - 2 against Leicester City on January 16th Crystal Palace. L Lost 0 - 4 against Manchester City on January 17th W Won 1 - 0 against Leeds United on January 16th L Lost 0 - 2 against Aston Villa on January 23rd W Won 1 - 0 against Liverpool on January 21st L Lost 1 - 2 against Manchester United on January 20th

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A huge thank you to Slinky, who did all the continues to trading binary options profitably dictionary the site - your contributions keep the me know, real live has feasable to continue to update between losing my old home, the mod to match your. Behind the scenes, my crew very special planned to mark for these two popular mods, we go here at Painterly for you. This unfortunately is incompatible with. This patch updates Painterly to Minecraft 1. To celebrate 10, Painterly Pack bottom with the 3 new as a veritable swarm of. TERRAIN - 38 options for mod support, this patch adds several bugs found when Painterly can finish updating the back. Now compatible with most popular. You will require Forge to made the telethon possible, and of the painterly telethon, as. Includes several existing textures, as maintenance patch - it fixes and doodads and monsters and. Although not a lot of the other amazing and fantastic support for CTM and Extrabiomes added for them, because that's.

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